You gotta give 'em hope...

I've recently had an...um...change of heart...

For the past 5 years my favorite movie has undoubtedly been Cinema Paradiso. If you know anything about me and you know anything about this movie, then you know exactly why it held the number one spot in my heart.

If you haven't seen it, it's basically about a broken hearted filmmaker.

It's quite a depressing movie with little hope presented to the audience. Either way I identified with the main character more than any other character I'd ever seen in a movie. That's why I loved it so much.

However, I showed it to my fiancee, Alee, over Christmas break and the movie didn't feel the same. Whatever it was about the movie that made me love it so much for the past 5 years wasn't there upon this viewing. I didn't identify with Toto (the main character) anymore. It didn't make me feel the way it used to. The magic was gone.

I was scared to admit it at first, but I think I have to say that Cinema Paradiso isn't number one anymore. That doesn't mean I still don't think it's a great movie. I'm still convinced it's one of the greatest movies I've ever seen, but best does not always equal favorite.

So what has taken its spot on my list?

I think I'm in a place where I don't have one favorite movie. I have several. Here are my current top 5 in no specific order:

Casablanca.

Good Will Hunting.

The Untouchables.

The Best Years of Our Lives.

...and Slumdog Millionaire.

Yes, Slumdog Millionaire has replaced Cinema Paradiso.

I guess some might say that the explanation for this change is an easy one. I don't identify with a brokenhearted filmmaker anymore, because I'm no longer as brokenhearted as I once felt yaddah yaddah yaddah...but I think the explanation is deeper than that.

I think the change has something to do with what kind of movies I want to make in my life.

Like I said, Cinema Paradiso offers very little hope to its viewer. The viewer leaves the film feeling regret, sadness, and confusion. I don't want people feeling this way while leaving a movie with Nathan Willis' name on it.

When movies first came out they were a means of escape for people. People would go to the movies to forget their problems and laugh. Buster Keaton and Charlie Chaplin reminded people that there was still good in the world, and that there was still stuff worth smiling about.

This optimism in movies seems to have disappeared. All of the critically acclaimed movies don't make us laugh like they once did, they make us want to throw back the Prozac and eat the barrel of a gun.

For the past few years the movies that have taken the Best Picture statue home from the Academy Awards leave the audience feeling pessimistic about the world we live in.

Slumdog Millionaire is a much needed change of pace.

When I make a film I want people to realize that, yeah, life really does suck sometimes, but there is hope. You don't have to live in regret and self pity.

A girl broke your heart? There is hope.

Your mom died? There is hope.

You're poor? There is hope.

I think Slumdog Millionaire embodies this idea perfectly.

I don't want to watch/make movies where people look behind them to a past filled with heartache and remorse. I want people to look ahead to a future filled with hope and optimism.

That's the reason I fell in love with movies in the first place.

2 comments:

Anonymous said...

You read my mind with freakish accuracy.

The stories that are really worth telling inspire the best, most pure part of our humanity. They move us to love, to feel, to hope, to think, to forgive, and to aspire. The best of these stories normally come out of the worst contexts (like in Slumdog, Good Will Hunting, etc.), because the greatest hope also knows the deepest depths of despair.

It seems like there is a contest in Hollywood to see how far we can spiral down into despair without any thought of coming back up...to portray humanity and the world as completely depraved and lacking redemption. These films may be praised for their "reality" or enjoyed for their shock value...but in the end, why was the story worth telling? But then again, I'm probably pretty narrow-minded about this. I just feel strongly about telling stories that do some sort of good.

I know you (or at least whoever runs your Twitter account) have been anxious about whether or not you can make it in the cutthroat film world. And I obviously don't know the answer to that question. But I do know that you have the heart of a good storyteller. And I would trade a thousand "successful" filmmakers who make throwaway garbage for one filmmaker with heart.

Allison Drew said...

I truly believe that Slumdog was one of the most beautiful movies I've ever seen.

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